Saturday, February 23, 2019

S.E.X. Review~ Letting Go by C.J. Baty

Calypso knew he looked good. He loved bright colors, makeup, and most of all, high heels. The higher the better. The sassy mouth and self-assured man he presented to the outside world wasn’t how he felt on the inside. At the Knights Club he hide the self-doubt and depression. Until, Benedict Hart walked in bringing all his old demons back to life.

Benedict Hart was a high-priced gigolo. It’s not what he started out in life to do but it paid the bills. Meeting Calypso at the Knights Club turned his world upside down. The man was sexy, smart mouthed and completely sure of himself. He made Benedict want things he hadn’t thought about in years. Losing a dear friend spurs him into action, but will his past get in their way? 

The Knights Club hosts a group of characters diverse in every way, but they are family. Xavier Knight watches over them as if they were his children. And, like most families, things don’t always run smoothly.



Letting Go by C.J.  Baty was a nice read and an even nicer addition to the Knight’s Club series. I adored the character of Calypso, the high heel wearing bar tender at Xavier’s club. He was a spitfire in red heels and a force to be reckoned with. Benedict, ex escort and the man who longed to start a relationship with Calypso was also a well-written character. Ms. Baty created two characters which complemented each other in and out of the bedroom.

They read each other and gave each other space~ they loved fiercely  as they traversed from friendship to lovers.

The men of the Knight’s Club were great secondary characters and added to the dimension of the storyline. Each man brought forth comradery and synergy woven into the atmosphere of the book.

Letting Go was worth the read.

Sexy & Sizzling
A four handcuff review

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2019 ©Evelise Archer All rights reserved. This is a work of fiction. All names, characters, locations, and incidents are products of the author’s imagination, or have been used fictionally. Any resemblance to actual persons living or dead, locales, or events is entirely coincidental. No portion of this work may be transmitted or reproduced in any form, or by any means, without permission in writing from the author.

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