Gideon Maybury enjoys a life of wealth and privilege, not to mention the advantages his position offers him in his career as a merchant banker and his less public life as a high-class, skilled, and very well-paid assassin for Her Majesty’s government. When his brother dies unexpectedly, he becomes the Duke of Westmoreland.
Michael Mathison has hated Gideon since they were at university together. He’s convinced Gideon had a hand in the death of Michael’s college lover, Christopher, and that he had something to do with the death of his own brother. So he gets a job as Gideon’s driver, enabling him to investigate the circumstances surrounding the death of the elder Maybury sibling. At first his suspicions seem to be confirmed, but clues emerge that suggest all is not as it appears at Maybury Hall.
As the mystery deepens, so does the attraction between the two implacable enemies, as does the feeling that they have met before—under dark and terrible circumstances. Each has reasons not to trust the other, but neither is averse to a bit of kinky play. Gideon and Michael end up owing each other their lives, and it results in consequences neither could have imagined.
Every century has seen its knights, but they are not always seen. Some of them do what must be done—getting their hands dirty when no one else is willing. Assassins and antiheroes who work from the shadows, they are called the Black Knights. From the time of the society’s creation in the 1100s, these men are cursed to repeat their lives of bloodshed. But for each knight, there is one who can bring out the man that waits inside and break the cycle. The question is whether or not the knight will kill his true love before he figures it out.
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2017 ©Evelise Archer All rights reserved. This is a work of fiction. All names, characters, locations, and incidents are products of the author’s imagination, or have been used fictionally. Any resemblance to actual persons living or dead, locales, or events is entirely coincidental. No portion of this work may be transmitted or reproduced in any form, or by any means, without permission in writing from the author.
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