S.E.X. Review~ Shrewd Angel by Anyta Sunday

Buy Links: Amazon US | Amazon UK

Length: 70,000 words approx.

Cover Design: Meredith Russell

The Christmas Angel Series

Christmas Angel - Eli Easton - Amazon US | Amazon UK
Summerfield's Angel - Kim Fielding - Amazon US | Amazon UK
The Magician's Angel - Jordan L. Hawk - Amazon US | Amazon UK
Christmas Homecoming - L.A. Witt - Amazon US | Amazon UK
A Soldier's Wish - N.R. Walker - Amazon US | Amazon UK
Christmas Prince - RJ Scott- Amazon US | Amazon UK

Blurb

Pax Polo is the swashbuckling guitarist for Serenity Free.

Correction: Was the swashbuckling guitarist for Serenity Free.

Now he sports a black eye and his bros have kicked him out of their band—three weeks before Christmas. It’s an unfamiliar kick to his over-inflated ego, but . . . whatever.

No problem.

Thanks to some stellar eavesdropping, an unexpected angel ornament, and a bribe to open for his favorite band ever, Pax will weasel his way back into his mates’ good graces.

All he has to do is friend Clifford, the neighborhood man-shrew, for the summer. Distract him a bit so Clifford’s younger sister can sneak around.

It sounds like a piece of beginners Beethoven. Jolly good fun.

Easy.

Because, Pax totally knows how to friend people. He has heaps of friends. This shrew’s no match for his shrewd ways. Or is he?

The Christmas Angel Series

In 1750, a master woodcarver poured all his unrequited love, passion, and longing into his masterpiece—a gorgeous Christmas angel for his beloved’s tree. When the man he loved tossed the angel away without a second thought, a miracle happened. The angel was found by another who brought the woodcarver True Love.

Since then, the angel has been passed down, sold, lost and found, but its magic remains. Read the romances inspired by (and perhaps nudged along by) the Christmas angel through the years. Whether it’s 1700s England (Eli Easton's Christmas Angel), the 1880’s New York (Kim Fielding’s Summerfield’s Angel), the turn-of-the-century (Jordan L. Hawk’s Magician’s Angel), World War II (L.A. Witt’s Christmas Homecoming), Vietnam-era (N.R. Walker’s Soldier’s Wish), the 1990’s (Anyta Sunday’s Shrewd Angel), or 2018 (RJ Scott’s Christmas Prince), the Christmas angel has a way of landing on the trees of lonely men who need its blessing for a very Merry Christmas and forever HEA.

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A bit about me: I'm a big, BIG fan of slow-burn romances. I love to read and write stories with characters who slowly fall in love.

Some of my favorite tropes to read and write are: Enemies to Lovers, Friends to Lovers, Clueless Guys, Bisexual, Pansexual, Demisexual, Oblivious MCs, Everyone (Else) Can See It, Slow Burn, Love Has No Boundaries.

I write a variety of stories, Contemporary MM Romances with a good dollop of angst, Contemporary lighthearted MM Romances, and even a splash of fantasy.

My books have been translated into German, Italian, French, Spanish, and Thai.

Contact: http://www.anytasunday.com/about-anyta/

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The final book in the Christmas Angel series, Shrewd Angel by Anyta Sunday was a play on Taming of the Shrew. My least favorite of the series, Shrewd Angel left this reader perplexed and confused. From the first page, I never became engaged in the story, and found myself trying to decipher what the storyline was to be. 

While I enjoyed Cliff’s character, Pax was a conundrum. But, I found the secondary characters charming and likable.

Centered around an angel who has made her way through time and space, Shrewd Angel appeared out of place from the rest of the series. The previous books were warm and endearing, Shrewd Angel was more abrasive.

Having never read an Anyta Sunday book, I found her writing full of jabs and snark. 

Shrewd Angel was not for this reader.

A three handcuff review

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2018 ©Evelise Archer All rights reserved. This is a work of fiction. All names, characters, locations, and incidents are products of the author’s imagination, or have been used fictionally. Any resemblance to actual persons living or dead, locales, or events is entirely coincidental. No portion of this work may be transmitted or reproduced in any form, or by any means, without permission in writing from the author.