Tuesday, January 22, 2019

S.E.X. Review~ Cash by Garrett Leigh



Buy Links: Amazon US | Amazon UK

Length: 60,000 words approx.

Cover Design: Black Jazz Design

Blurb

Cash is a car mechanic with a secret. Head down, sleeves up, he hides from the past as much as his shattered heart, until a reluctant stumble into a Tottenham bar ends in the one night stand of his dreams.

Hunt saboteur Rae can’t believe his luck when he wakes up the next morning. Cash is gorgeous, and the hottest hook up he’s ever had. He doesn’t expect to see him again, until a twist of fate lands him on Cash’s doorstep a few months later.

United by a cause that’s broken Cash before, they are drawn together. They have more in common than they ever imagined, but with Cash haunted by the past, and Rae so tangled in the present, it’s not long before love isn’t enough to keep them alive.



Jan 22 - Urban Smoothie Read, Sexy Erotic Xciting, Dilyana's World, Jan 24 - Amy's MM Romance Reviews, CupcakesAndBookShelves, Xtreme Delusions, Books, Tattoo's and Tea, Lelyana's Reviews, Jan 26 - Mikku-chan, Diverse Reader, Open Mind For A Different View, What's Amy Reading?, Jan 28 - Love Unchained Book Reviews, Mainely Stories, Jan 30 - Gay Media Reviews, Wicked Reads, Feb 1 - My Fiction Nook, We Three Queens, Feb 4 - Book Corner Reviews, Feb 6 - Mirrigold, Sarandipity Book Reviews, Small Queer, Big Opinions, Jim's reading Room, Lillian Francis, Bayou Book Junkie



Garrett Leigh is an award-winning British writer and book designer, currently working for Dreamspinner Press, Loose Id, Riptide Publishing, and Fox Love Press.

Garrett's debut novel, Slide, won Best Bisexual Debut at the 2014 Rainbow Book Awards, and her polyamorous novel, Misfits was a finalist in the 2016 LAMBDA awards.

When not writing, Garrett can generally be found procrastinating on Twitter, cooking up a storm, or sitting on her behind doing as little as possible, all the while shouting at her menagerie of children and animals and attempting to tame her unruly and wonderful FOX.

Garrett is also an award winning cover artist, taking the silver medal at the Benjamin Franklin Book Awards in 2016. She designs for various publishing houses and independent authors at blackjazzdesign.com, and co-owns the specialist stock site moonstockphotography.com with photographer Dan Burgess.

Website: http://www.garrettleigh.com/
Facebook: https://www.facebook.com/garrettleighauthor/
Twitter: https://twitter.com/Garrett_Leigh


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I was fascinated by the blurb of Garrett Leigh’s new book, Cash. People who sabotaged fox hunts and all that they entail interested this reader. I will admit I knew and nothing about this “sport”- which I say loosely- and still do not understand it. But, having said that, I thoroughly enjoyed Cash and Ms. Leigh’s writing.

Cash and Rae were destined to meet, whether through the random hookup or the sabbing they participated in to save fox, hound, and horse. The book had it all. Intrigue, drama, an air of apprehension, and of course romance. What I most found interesting and logical, was the slow burn of the budding relationship between Cash and Rae. Aside from the initial hookup, the author delivered a careful building of a very tangible relationship. Both men, entrenched in their beliefs and hurt in the past, worked together through relationship trials and the tribulations of their chosen assignments.

Knowing nothing about fox hunting nor being from the UK, I had a hard time with some of the verbiage, but this did not deter me from enjoying the book. Ms. Leigh has a style all unto herself, one that does not follow a traditional M/M writer, writing more of a story, than an expose on M/M sex.

As with the first book in this trilogy (Lucky), Cash was worth the read!

Definite S.E.X.
A five handcuff review


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2019 ©Evelise Archer All rights reserved. This is a work of fiction. All names, characters, locations, and incidents are products of the author’s imagination, or have been used fictionally. Any resemblance to actual persons living or dead, locales, or events is entirely coincidental. No portion of this work may be transmitted or reproduced in any form, or by any means, without permission in writing from the author.

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